The Admiralty and the fleet delegates were now at a standoff. The delegates had presented a very respectful petition which had initially been ignored. When the Admiralty got around to addressing the petition they essentially ignored it. Now the delegates had refused to be dealt with by a bum’s rush.
Over dinner the Admiralty board members who were negotiating with the delegates came to the conclusion that the incipient mutiny was actually the doing of a small number of agitators and that most of the fleet remained obedient.They conceived the idea that the officers aboard all but a small number of recalcitrant ships could order their cables slipped and take their ships out of Spithead to St. Helens Roads. The worst offenders would remain at anchor and be dealt with at leisure.
A solution, perhaps the least preferred solution, but a solution nonetheless.
According to Brian Lavery in Nelson’s Navy, there were over a thousand instances of mutiny between 1793 and 1815. These involved the spectrum from one man to multiple men and instances where the mutineers got their demands as well as those who were court-martialed.
Mutiny was not an activity to be lightly undertaken. The captain of a ship was the representative of the Sovereign and for all intents and purposes held the power of life and death over his crew. Once a mutiny did break out, even if tightly disciplined and for all the right reason, the odds were overwhelming that, at a minimum, the ringleaders were going to be festooning yardarms throughout the fleet when it ended.
One of the reasons the Spithead Mutiny was more protracted than need be was the insistence by the mutineers upon a Royal Pardon for all involved. They had good reason.
One of the most interesting aspects of the naval fiction set in the wars of the late eighteenth and early nineteenth centuries is that the majority of actions described actually happened in one form or another.
Following the tradition of American radio legend Paul Harvey, I’ll try to tease some of these incidents out of realm of fiction and show how, in some cases, the fictional version is more believable than the actual event.
In our first episode, Alexander Kent’s Richard Bolitho takes the role of Horatio Nelson at the Battle of St. Vincent.